List of Places Marsose Dutch troops in Aceh

Marsose ?
you must have heard of the term
Marsose, in the Dutch Korps Marechaussee te Voet which is a military unit formed during the colonial Dutch East Indies by the KNIL (colonial army) as a tactical response to the guerrilla resistance in Aceh. The Corps no ties withKoninklijke Marechaussee in Netherlands.
Marsose stationed in the Dutch East Indiesamong others in the battle against Sisingamangaraja XII in North Sumatrawhich in 1907 defeated and killed Sisingamangaraja XII. At the Aceh War, Marsose can mastered mountains and forests in Aceh to seek and pursue guerrillas in Aceh.

Their headquarters scattered throughout ACEH, That is:

  1. Inderapuri
  2. Seulimuem
  3. Glee Kameng
  4. Lam Nyong
  5. Cot Mancang
  6. Lambaro
  7. Lhoknga
  8. Cot Gue
  9. Lamteuba
  10. Pulau Raya
  11. Lhong
  12. Krueng Raya
  13. Padang Tiji
  14. Lamno
  15. Lam Panaih
  16. Meureudu
  17. Samalanga
  18. Peudada
  19. Peusangan
  20. Sigli
  21. Kluet
  22. Meulaboh
  23. Jeuram
  24. Tangse
  25. Bambi
  26. Takengon
  27. Rundeng
  28. Lamie
  29. Kutacane
  30. Teunom
  31. Geumpang
  32. Kreung Beukaih
  33. Bireun
  34. Lhoksukon
  35. Lhokseumawe
  36. Pantonlabu
  37. Blangkejeren
  38. Kuala Bhee
  39. Blang Rakal
  40. Blang Pidie
  41. Buboh Blang Ara
  42. Lammeulo
  43. Samarkilang
  44. Truseb
  45. Tanoh Mirah
  46. Dan Lain-Lain
And not be surprised if Marsose Can Mastering the Aceh forest 

Only that from me, 
Hopefully Helpful 

Source:


  • Drs. H. M. Thamrin Z (2004), Aceh Melawan Penjajahan Belanda. Jakarta : CV. Wahana, hal. 213
  • Doup, Gadebouk Van Het Korps Marechausse Van Atjeh en Enderheorigheden 1890 tot 1940, hal. 30-32

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The material: Good Blocking

          
BLOCKING

          What is meant by the blocking is the position of the body at the moment on stage. In game play, good blocking is necessary, therefore, at the time playing we should always control our bodies so as not to damage the blocking. What is meant by good blocking is blocking must be balanced, whole, variable and has a focal point as well as reasonable.
    • Balance
Balanced means that the position of the player, as well as objects that exist on the stage (the setting) are not clustered in one place, resulting in the appearance of bias. So all parts of the stage should be represented by players or objects on the stage. Further explanation of the balance of this stage will be presented in the section on "Composition Stage".
    • Intact
Intact means blocking the display should be a unity. All placement and motion to do should support each other and do not overlap.


    • varies
Varies means that the position of the player is not in one place only, but to form new compositions so that the audience is not saturated. The state of a player is not the same as the position of other players. For example, both standing, squatting together, facing the same direction, and so on. Unless it is required by the script.


    • Having a central point
Having a central point means that each performance must have a focal point. It is important to strengthen the role of play and facilitate the audience to see the actual point where the center of the ongoing scene. Among the players also do not disrupt each other so that would obscure the true location of the point where attention.


    • Naturally
Naturally that means every player placement or objects should appear natural, not contrived. Besides, any placement must also have the motivation and need reasonable. 


        

          In contemporary drama script sometimes does not demand perfect blocking, sometimes also the director or the script itself completely abandoned the principles of blocking. There is also a script that calls for uniform motions among the players.
  • STAGE COMPOSITION
          The composition according to the stage is the division performing certain parts. The composition was created to help stage blocking, where each part has its own meaning stage. Here's the schematic stage composition.   


    • SPECTATORS
         Levels of the power stage can be seen in the sequence number. The front is stronger than the rear. The right side is stronger than the left. Therefore do not put themselves or objects of high strength levels in the solid. Look for places that match in order blocking a balanced look. Nevertheless, should remain within reasonable limits, not too far-fetched.


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